Naatu Naatu’ won! Oscar backbenchers: RRR Movie
Proceeding with its series of wins after the Brilliant Globes grant in January this year, Chief SS Rajamouli’s hit Telugu film ‘RRR’ left a mark on the world once more at the Oscars, with its fiery melody ‘Naatu’ turning into the second tune by an Indian to win the Best Unique Melody grant. The honor was first won by an Indian performer when writer AR Rahman and lyricist Gulzar got it for ‘Jai Ho’ from 2009’s ‘Slumdog Mogul’, a movie by English chief Danny Boyle.
Author MM Keeravani and lyricist Chandrabose got the honor for the melody sung by Rahul Sipligunj and Kaala Bhairava on Sunday (Walk 13). Keeravani riffed on the tune ‘Top of the World’ by The Craftsmen, changing the verses to say, “There was just a single wish at the forefront of my thoughts, so was Rajamouli’s and my family’s, ‘RRR’ needs to win, pride of each and every Indian and should put me large and in charge.”
This is India’s second Oscar for the Best Unique Melody classification. AR Rahman’s Jai Ho, composed by Gulzar, won a Foundation Grant for Best Unique Melody in 2009. Very much like Naatu, it additionally won a Grammy that year. Notwithstanding, Jai Ho is from an American film, Slumdog Tycoon, while Naatu highlights in RRR, a 100 percent Indian creation.
M. M. Keeravani and Chandrabose’s acceptance speech for the Best Original Song #Oscar
See the full winners list: https://t.co/b3EnMWMShb pic.twitter.com/UBoEAACdou
— DiscussingFilm (@DiscussingFilm) March 13, 2023
Just minutes sooner Sipligunj and Bhairava had played out the tune with artists who reproduced the means of entertainers Smash Charan and Jr NTR from the film. Entertainer Deepika Padukone, who likewise introduced an honor at the service, presented the presentation by saying, “An overwhelmingly get tune, charging beats and executioner dance moves to match have made this next melody a worldwide sensation,” to uproarious cheers from the crowd at the function.
A portion of different chosen people in the class were Rihanna’s anthemic’ Lift Me Up’ from ‘Dark Jaguar: Wakanda Perpetually’, Woman Crazy’s ‘Hold My Hand’ from ‘Top Weapon: Nonconformist’ and ‘This Is Life’ from the most designated film of the evening, ‘Everything Wherever At the same time’ by Japanese American vocalist musician Mitski and Talking Heads’ David Byrne.
What’s so exceptional about ‘Naatu’?
‘Naatu’ is effectively one of the tunes that characterized 2022, all around the world. Its movement circulated around the web on different virtual entertainment stages, as individuals across the world attempted to imitate the means and energy of the first. Especially, its virality on TikTok is viewed as a significant justification behind the film’s progress in the American market.
“I didn’t figure there would be this sort of reaction for this melody, even in my fantasies,” its arranger Keeravani told Assortment. “However, as a dumbfounding proclamation, it’s a fantasy working out as expected.” It has been accounted for that he composed 20 unique melodies for Rajamouli to browse, only for the dance-off succession.
Keeravani added, “The ‘Naatu’ melody needs to cause you to fail to remember everything — and in addition to the watcher who is watching the film, yet the characters from the story, as well, need to fail to remember each and every other thing occurring around them and give their full consideration towards the tune. What’s more, the coda, the end a piece of the tune, comprises of such a lot of endurance, you can’t call it simply a melody — it is an activity succession.”
In the wake of winning the Brilliant Globe, the tune’s lyricist Chandrabose told ANI, “It’s no joking matter for me… I composed 90% of the melody inside a portion of a day and the rest 10% required 1.7 years. My work, difficult work and persistence have paid off.”
Prior, Keeravani had portrayed the melody as something that tests “the perseverance and endurance” of the artists. Jr NTR correspondingly kidded about how Rajamouli had ‘tormented’ the artists for quite a long time. “We shot that melody for 12 days, and this man would torment us from 8-8, we would rest at 11:30, and awaken at 5:30. This occurred following 7 days of practices. He was so dead set on synchronization, watching on the screen assuming that the legs and hands went together, and I was like ‘Jesus, for what reason are you doing this?'” he said.